The application comes with example layouts and completely custom layouts can be constructed using the free TouchOSC Editor application. The interface provides a number of customizable touch controls to send and receive messages:įaders / Rotary controls / Encoder controls / Push buttons / Toggle buttons / XY pads / Multi-faders / Multi-push / Multi-toggles / Multi-xy pads / LEDs / Labels / Time & battery displaysĪdditionally the program can send Accelerometer data.
The application allows to remote control and receive feedback from software and hardware that implement the OSC or MIDI protocols such as Apple Logic Pro/Express, Ableton Live, Renoise, Pure Data, Max/MSP/Jitter, Max for Live, OSCulator, VDMX, Resolume Avenue/Arena, Modul8, Plogue Bidule, NI Traktor, NI Reaktor, Quartz Composer, Supercollider, vvvv, Isadora and many others. It supports sending and receiving Open Sound Control and MIDI messages over Wi-Fi and CoreMIDI inter-app communication and compatible hardware. The application allows to remote control and receive feedback from software and hardware that implement the OSC or MIDI protocols such as Apple Logic Pro/Express, Ableton Live, Renoise, Pure Data, Max/MSP/Jitter, Max for Live, OSCulator, VDMX, Resolume Avenue/Arena, Modul8, Plogue Bidule, NI Traktor, NI Reaktor, Quartz Composer, Supercollider, vvvv, Isadora and many others. So I decided to try my hand at 3D Projection mapping.
Earlier this month (JAN 2nd 2014) I was booked to play a show and wanted to do more than the typical show.
I am a music producer and visual artist of sorts.
Motion Graphics created in Quartz Composer with published parameters. The download version of Resound for Mac is 1.3.4.Not to long a ago something like this would have proved much more difficult but with the wide availability of SSD drives and fast computers this has become my preferred way to work. Using Vezér for the main control of the animation i was able to hook a midi controller up to VDMX and do the Post FX in real time.
Not only that i was able to capture at full HD 1920 x 1080 with a solid 30 fps. This allows for a lot more on the fly experimentation. Needless to say the answer was yes it is now entirely possible to have a real time pipeline that takes motion graphics created in Quartz Composer, Sequenced via Vezér ran through VDMX for Post FX and captured with VDMX’s in built movie recorder. Having previously used FCPX and Motion for these types of jobs i thought i would see if it possible to have a truly real time workflow. At VDM Music we make it our number one priority to always go above and beyond the call of duty for the talent that we represent. We are incredibly passionate about what we do, and most importantly who we do it for. Four separate machines running VDMX were used to live trigger video files over MIDI and OSC with real-time FX and projection mapping via Quartz Composer. A music management company committed to the development and success of the Artists, Producers and Writers that we represent. I recently worked on some video s for the M-NUS splash page and decided to put Vezér to use for sequencing the video. Visual designer Nicholas Gould worked with director and set designer Otis Bumblebee and Johnny Legostein shooting the worlds first live, scripted, single-take music video.